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What about DAM Book 3?

Inquiring readers are asking, “What’s up with The DAM Book 3?” Wasn’t that supposed to be published by the end of 2016? As John Lennon famously sang (borrowing a phrase), Life is what happens to you while you’re busy making other plans. In the case of 2016, family obligations once again took me in an unexpected direction. We had some significant health challenges (that seem to be successfully met) as well as some other significant family milestones.

Krogh_161222_2812One of those milestones has reprioritized my writing schedule. We moved my dad out of his house of 55 years, and this has left me in possession of a massive family photo archive to manage. There are tens of thousands of photos in all formats  – from daguerreotypes to glass plates, to vintage and modern prints, many thousands of slides, negatives, framed prints, scrapbooks and more. There are more than 10,000 images sitting on this cart, and that’s just a part of the archive.

There is some real urgency here. First, I need to get this stuff sorted and put away so I get my studio back. But more importantly, I need to get my dad to help me tag these images. He’s the only one left who can identify a large percentage of the people shown. Krogh_170116_2883Here is a small selection of the framed prints we copied.

A new DAM Book Guide
DYP Cover Mockup

Working with my daughter Josie, we’ve been able to sort, triage, digitize, annotate and curate a growing share of this collection. And we’re making a book from the experience, Digitizing your Photos. It’s a multimedia volume that will give you a step-by-step cookbook for managing this entire process, using  a digital camera to scan and Lightroom to control the optimization and management.

We expect to be shipping digital versions in April. The manuscript is essentially complete and I’m currently shooting photos and videos. I’m really pleased with the results of our scanning and with the comprehensiveness and clarity of the book. Stay tuned for more info as release nears.

Okay, so what about The DAM Book 3?
Our plan is to make 2017 the year of the book. I’m fully committed to getting TDB3 out the door this year (along with one other book as well). The DAM Book is a lynchpin to our entire publishing effort, and I feel a deep commitment to modernizing it. So, yes, barring some other curveball, I’m looking forward to pick it back up well before the solstice.

 

SXSW – An important place for visual creators

For the 5th year, I’m headed down to SXSW Interactive. Since my first visit, I’ve been convinced that the future of visual media can be seen here, as it is making its way from idea, through doomed startup, successful startup, into the marketplace, and on to reiteration.

There’s no doubt that visual communication – journalism or entertainment – is highly dependent on the new platforms, business models, and distribution channels that are technology-driven. SXSW is the speed-dating phantasmagoria of media tech. If you want to see where media will be in 2, 5 or 10 years, there’s no better place to see it than at SXSW.

And it’s becoming obvious that tech companies are increasingly dependent on visual imagery for core capability. Photographic communication, writ large, is perfectly suited to the mobile era, with onboard cameras, beautiful screens, and a premium placed on jamming lots of attention-grabbing information into a 2×4 inch space. In recent years, visual storytelling and visual media have been a constant thread through much of the programming.

This year, we see some real love given directly to photography at SXSW. National Geographic photographer Cory Richards is a keynote speaker, and graces the cover of the SXSW magazine. NatGeo will have a Further Base Camp at the Vulcan Gas Company on 6th St.

I’ll be interviewing the amazing Aaron Huey at Further on Saturday at 6pm, discussing how he balances authenticity and passion vs. risk and vulnerability in his life and work.  I’m so impressed with the way he has leveraged great photojournalism into awareness, advocacy, fundraising and cultural impact. Seriously, this guy is a poster child for visual creators owning their media stack and putting it in service for the things they believe in.

(Technically, being on stage at the NatGeo venue means I’m sharing the bill with Ron Howard, Brian Grazer, Ridley Scott, Neil deGrasse Tyson, Jason Silva, Cory Richards, Steven Kolter, David Guttenfelder and Aaron Huey.)

There will be a good PhotoShelter contingent at SXSW as well. CEO Andrew Fingerman will be there, as well as founder and tequila entrepreneur Grover Sanchagrin.

Heading to SXSW – Presenting Friday

I’m headed out to Austin for SXSW again (now, with more Obama.) This year, I’ll be presenting with Dennis Keeley, the Photography chair at Art Center in Pasadena. I first met Dennis at the Palm Springs Photo Festival faculty dinner, and we quickly found out we have a lot of common interests.

IMG_6647
The Faculty dinner at PSPF – I met 2 people I’ve brought to SXSW here.

Dennis is intensely interested in the future of imaging and visual communication. We found that we see these opportunities in some very similar ways. The conversation that started 4 years ago has continued as each of us has pursued this future in different ways. I’m delighted that we can take this time to make this conversation public.

SXSW South by Southwest
Dominique le Roux at 2015 SXSW Photography track 
SXSW South by Southwest
Hans Peter Brondmo at 2015 SXSW Photography Track

Here is a description of our program. I’ll work on expanding on some of these topics, and we’re hoping to have a recording of the program available.

If you’re going to be in Austin, and can come by the Hilton Friday at 3:45, I’d love to say hello. If you’re in town but can’t make the program, I’ll be around until Tuesday evening.

The Rise of the Visual  Strategist

Presented by Peter Krogh and Dennis Keeley

As the need to visually communicate explodes, organizations of all shapes and sizes face the need for a new kind of staff, new tools and more nimble mindsets. This goes far beyond an Instagram account manager, or a person who works in IT.  It looks into the heart of an organization’s mission, brand, legacy and value. But in most cases, the approach to visual narrative is ad hoc, at best.

Solving this problem will require an integrated approach that is grounded in education, technology, business needs, and an understanding of visual semiotics. Dennis Keeley has been addressing this from the education side, while Peter Krogh has been working on technical development. They will discuss the new role of the professional visual strategist and the opportunities it presents… as well as what education, skills and experience will be needed.

Back up

We seem to have mostly recovered from the hacking incident. I still have to upload the old images, but the posts should be back in place.

Thanks to John Beardsworth for his invaluable help in tracking down this frustrating problem and helping to solve it.

Lightroom Workshop Feb 6, Evening Presentation Feb 5

I’m doing a Lightroom Workshop February 6 at my studio in Kensington, MD. This one is sponsored by ASMP, so it’s a little less expensive than my normal program, although it’s just as action-packed.

Here’s the sign-up.

Also, on the evening of February 5, I’m doing a shorter program at the CDIA in Georgetown.

Here’s where you sign up for that one.

lightroom2

Complete description after the jump
Continue reading Lightroom Workshop Feb 6, Evening Presentation Feb 5

Instagram Terms – Still Terrible

Instagram made a big deal of backpedaling through the PR storm it created with the proposed Terms of Service (TOS) changes. They claim to be really sorry, and that they have learned their lesson and will respect their users’ wishes better in the future.

After reading the amended terms of use scheduled to take effect January 19th, 2013, I’m unimpressed with the changes.  Some extra-crappy parts include:

Continue reading Instagram Terms – Still Terrible

Instagram creates terrible new user agreement

 

I’m generally not alarmist about web rights boilerplate, since there is often a lot of ambiguity. Nothing ambiguous about this. (Item 2 in Rights, emphasis added.)

Some or all of the Service may be supported by advertising revenue. To help us deliver interesting paid or sponsored content or promotions, you agree that a business or other entity may pay us to display your username, likeness, photos (along with any associated metadata), and/or actions you take, in connection with paid or sponsored content or promotions, without any compensation to you.

Note that this includes minor children.

If you are under the age of eighteen (18), or under any other applicable age of majority, you represent that at least one of your parents or legal guardians has also agreed to this provision (and the use of your name, likeness, username, and/or photos (along with any associated metadata)) on your behalf.

Oh, and you agree to indemnify them in case of breach of privacy. (That means you agree to pay their legal team in the event one of your subjects sues for being included in a viagra advertisement).

(Item 4 in Rights)

You represent and warrant that: (i) you own the Content posted by you on or through the Service or otherwise have the right to grant the rights and licenses set forth in these Terms of Use; (ii) the posting and use of your Content on or through the Service does not violate, misappropriate or infringe on the rights of any third party, including, without limitation, privacy rights, publicity rights, copyrights, trademark and/or other intellectual property rights; (iii) you agree to pay for all royalties, fees, and any other monies owed by reason of Content you post on or through the Service; and (iv) you have the legal right and capacity to enter into these Terms of Use in your jurisdiction.

And this part in Indemnification:

You (and also any third party for whom you operate an account or activity on the Service) agree to defend (at Instagram’s request), indemnify and hold the Instagram Parties harmless from and against any claims, liabilities, damages, losses, and expenses, including without limitation, reasonable attorney’s fees and costs, arising out of or in any way connected with any of the following (including as a result of your direct activities on the Service or those conducted on your behalf): (i) your Content or your access to or use of the Service; (ii) your breach or alleged breach of these Terms of Use; (iii) your violation of any third-party right, including without limitation, any intellectual property right, publicity, confidentiality, property or privacy right; (iv) your violation of any laws, rules, regulations, codes, statutes, ordinances or orders of any governmental and quasi-governmental authorities, including, without limitation, all regulatory, administrative and legislative authorities; or (v) any misrepresentation made by you. You will cooperate as fully required by Instagram in the defense of any claim. Instagram reserves the right to assume the exclusive defense and control of any matter subject to indemnification by you, and you will not in any event settle any claim without the prior written consent of Instagram.

Note that this language seems to grant a license to the actual photograph, and not just the copy uploaded to Instagram. If they could find a high-res version somewhere, they may have the rights to that also.

The only opt-out is to delete your account.

The changes take effect January 16, 2013.  So, what does one do?  Well, I don’t see much option except to delete the account.  And if your tween or teen child has an instagram account (and many of them do), you’ll want to think about blocking that.

Instagram claims the rights to any photos uploaded after January 16th in perpetuity, regardless of whether you delete your account later.

(Cnet article here.)

This is breathtakingly horrible.

Lightroom Workshops December 11 and 12

We’ve just announced some new Lightroom workshops to take place at Peter Krogh Studio in Kensington MD. The first workshop, December 11, will be an introduction to Lightroom. The second one, December 12th, will be an intermediate and advanced workflow tune-up.

Introduction to Lightroom
In the Introduction to Lightroom workshop, we’ll show how to get started with Lightroom. You’l learn how to set up your computer to get the most out of the program in the safest and most efficient way.

Sign-up and additional information here 

Intermediate and Advanced Workflow Tune-up
In our second workshop, you’ll learn more advanced techniques, taking advantage of some of the more powerful features of the software. This is also a great workshop for anyone who is upgradfing from an earlier version of the software and wants to know how the new develop module is different from the old one.

Sign-up and additional information here

Each workshop runs from 9-5, costs $200/day and includes lunch. Discounts available for past attendees at Krogh Studio workshops, ASMP and APA members, as well as multi-day attendees and those who want to bring their assistants.

Email for discount details.