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Remove Silvering – DYP Movie of the Week

This post kicks off a series of tips and techniques from Digitizing Your Photos. These posts will focus on  a particular technique from the multimedia eBook, and include one of the videos from the book.

It’s common for vintage prints to exhibit Silver Mirroring (or Silvering). The reflections caused by residual silver can obscure the shadow detail in the print. Fortunately, it’s easy to remove the mirroring in the copy photo through the use of simple cross-polarization. This video shows how to cross-polarize and what the effect looks like.

This video appears on page 48 of Digitizing Your Photos with Your Camera and Lightroom.

Digitizing Your Photos – Just Released

We’re excited about the release of our new multimedia ebook, Digitizing Your Photos. It presents a comprehensive method for scanning photos with a digital camera, and managing the process with Lightroom.

The book is written for professional photographers, family historians, corporate collection managers, and cultural heritage institutions. We know that great collections of slides, prints and negatives are everywhere, and we want to help preserve and make use of them.

The book runs for 248 pages, and includes 90 workflow videos for a total of 9 hours of comprehensive instruction.


Here’s the first video from the book, which outlines the entire process.

And here’s the product page.

Report from SXSW #1

Once again it was a great festival: fun, exhausting, and thought-provoking.

Our talk, Adding Meaning and Context to Visual Media was a packed house, turning people away at the door.  As with previous years, one of the main values to me was the time spent refining the presentation, and distilling the ideas to a logical sequence in digestible form. I’ll do a blog post hitting the main points, and I’m hoping to give the talk again with my fellow panelists, Anna Dickson and Ramesh Jain.
Sell-out crowd, with line out the door at our SXSW talk this year.

This year, I spent a lot of time learning about Artificial Intelligence, and came away with a lot more clarity about what AI is, how it is being developed, and how to take advantage of it. I also saw some of the ways AI-based assistants are shaking up the world of computing. I believe that Google home, Amazon Echo, Siri,  and Facebook Messenger are actually racing to become the new dominant operating system. Natural Language Processing and Conversational UI will be the way we interact with computers in the future. The way this shakes out will be really important. I’ll have a post on that as well.

Photography (in all its many forms) continued to be a major component of what I saw at SXSW. This ranged from “traditional” photography, like Cory Richard’s keynote, to photography as advocacy in Aaron Huey’s work, to Casey Niestat’s new network, and on to the VR exhibits.
Ron Haviv and Lauren Walsh spoke about the democratization of archives and the Lost Rolls project.

There was more political activism, analysis and anxiety than in years past. This included a pretty frightening discourse on big data and fascism (from historical and speculative viewpoints). There was also a heavy emphasis on using creativity and technology for public good. Carina Kolodny and Marc Janks spoke about driving change through multimedia storytelling at Huffington Post. Rainn Wilson (Dwight!) spoke about building Soul Pancake, a media company based on empathy.


I was inspired talking to Aaron Huey about his advocacy efforts. 

The National Geographic made a pretty big splash at the festival, with a 5 day installation in Vulcan Gas Company restaurant on 6th St.  They brought in a great set of speaker presentations, and the event was attended by both Declan Moore, the CEO of National Geographic Partners (the media company) and Gary Knell, CEO of the National Geographic Society (the non-profit side of the organization). I believe that this was the first SXSW for both of them, and they seemed to be really energized by the festival. Gary also led a presentation about National Geographic’s Emerging Explorers program.


Gary Knell and Declan Moore address the crowd at NatGeo Further Base Camp. 

PhotoShelter sent down an exploratory contingent, including CEO Andrew Fingerman, founder Grover Sanchagrin, and Content Marketing Manager Deborah Block. I hope to see an even greater presence next year, now that they have been able to see the opportunities it presents.

Andrew Fingerman talks with Amy Bailett of Killer Infographics about the changing nature of visual communication.

Of course, there was also great music, and again this year I got a small taste of it on my way out the door. One year, I’d love to stick around for the last 5 days of the festival and take advantage of that platinum badge. But, honestly, I’m just so exhausted from the Interactive festival that it’s hard to imagine spending even more time fighting crowds.


Some jazz band I stumbled across at 2am, that was just amazing…

I’ll make some further posts that outline some of my findings, starting with one about AI.

As I tell all my photo and tech people, I continue to think that SXSW is one of the most important events that anyone in media can attend.  Media is inherently driven by the technology that enables it. Even more important, I believe it’s really beneficial to understand how technology, content, and business models intersect. I think SXSW is one of the best places on earth to see what’s coming down the road.

Interview with Aaron Huey Saturday 3/11 at 6:00pm

I have the pleasure of interviewing photographer Aaron Huey at the as part of the NatGeo Further base camp at SXSW tomorrow (Saturday March 11, 2017). Aaron is known for his passionate photography, and his ability to leverage his work to raise awareness and funds for causes he believes in. We’ll discuss how he walks the line between non-partisan journalism and advocacy.

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Aaron worked with Shepard Fairey to create the We the People campaign.

Join us on 6th St. at the Vulcan Gas Company from 6:00 to 7:00 pm. Oh, open bar and free food too.

See you there.

What about DAM Book 3?

Inquiring readers are asking, “What’s up with The DAM Book 3?” Wasn’t that supposed to be published by the end of 2016? As John Lennon famously sang (borrowing a phrase), Life is what happens to you while you’re busy making other plans. In the case of 2016, family obligations once again took me in an unexpected direction. We had some significant health challenges (that seem to be successfully met) as well as some other significant family milestones.

Krogh_161222_2812One of those milestones has reprioritized my writing schedule. We moved my dad out of his house of 55 years, and this has left me in possession of a massive family photo archive to manage. There are tens of thousands of photos in all formats  – from daguerreotypes to glass plates, to vintage and modern prints, many thousands of slides, negatives, framed prints, scrapbooks and more. There are more than 10,000 images sitting on this cart, and that’s just a part of the archive.

There is some real urgency here. First, I need to get this stuff sorted and put away so I get my studio back. But more importantly, I need to get my dad to help me tag these images. He’s the only one left who can identify a large percentage of the people shown. Krogh_170116_2883Here is a small selection of the framed prints we copied.

A new DAM Book Guide
DYP Cover Mockup

Working with my daughter Josie, we’ve been able to sort, triage, digitize, annotate and curate a growing share of this collection. And we’re making a book from the experience, Digitizing your Photos. It’s a multimedia volume that will give you a step-by-step cookbook for managing this entire process, using  a digital camera to scan and Lightroom to control the optimization and management.

We expect to be shipping digital versions in April. The manuscript is essentially complete and I’m currently shooting photos and videos. I’m really pleased with the results of our scanning and with the comprehensiveness and clarity of the book. Stay tuned for more info as release nears.

Okay, so what about The DAM Book 3?
Our plan is to make 2017 the year of the book. I’m fully committed to getting TDB3 out the door this year (along with one other book as well). The DAM Book is a lynchpin to our entire publishing effort, and I feel a deep commitment to modernizing it. So, yes, barring some other curveball, I’m looking forward to pick it back up well before the solstice.

 

SXSW – An important place for visual creators

For the 5th year, I’m headed down to SXSW Interactive. Since my first visit, I’ve been convinced that the future of visual media can be seen here, as it is making its way from idea, through doomed startup, successful startup, into the marketplace, and on to reiteration.

There’s no doubt that visual communication – journalism or entertainment – is highly dependent on the new platforms, business models, and distribution channels that are technology-driven. SXSW is the speed-dating phantasmagoria of media tech. If you want to see where media will be in 2, 5 or 10 years, there’s no better place to see it than at SXSW.

And it’s becoming obvious that tech companies are increasingly dependent on visual imagery for core capability. Photographic communication, writ large, is perfectly suited to the mobile era, with onboard cameras, beautiful screens, and a premium placed on jamming lots of attention-grabbing information into a 2×4 inch space. In recent years, visual storytelling and visual media have been a constant thread through much of the programming.

This year, we see some real love given directly to photography at SXSW. National Geographic photographer Cory Richards is a keynote speaker, and graces the cover of the SXSW magazine. NatGeo will have a Further Base Camp at the Vulcan Gas Company on 6th St.

I’ll be interviewing the amazing Aaron Huey at Further on Saturday at 6pm, discussing how he balances authenticity and passion vs. risk and vulnerability in his life and work.  I’m so impressed with the way he has leveraged great photojournalism into awareness, advocacy, fundraising and cultural impact. Seriously, this guy is a poster child for visual creators owning their media stack and putting it in service for the things they believe in.

(Technically, being on stage at the NatGeo venue means I’m sharing the bill with Ron Howard, Brian Grazer, Ridley Scott, Neil deGrasse Tyson, Jason Silva, Cory Richards, Steven Kolter, David Guttenfelder and Aaron Huey.)

There will be a good PhotoShelter contingent at SXSW as well. CEO Andrew Fingerman will be there, as well as founder and tequila entrepreneur Grover Sanchagrin.

Heading to SXSW – Presenting Friday

I’m headed out to Austin for SXSW again (now, with more Obama.) This year, I’ll be presenting with Dennis Keeley, the Photography chair at Art Center in Pasadena. I first met Dennis at the Palm Springs Photo Festival faculty dinner, and we quickly found out we have a lot of common interests.

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The Faculty dinner at PSPF – I met 2 people I’ve brought to SXSW here.

Dennis is intensely interested in the future of imaging and visual communication. We found that we see these opportunities in some very similar ways. The conversation that started 4 years ago has continued as each of us has pursued this future in different ways. I’m delighted that we can take this time to make this conversation public.

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Dominique le Roux at 2015 SXSW Photography track 
SXSW South by Southwest
Hans Peter Brondmo at 2015 SXSW Photography Track

Here is a description of our program. I’ll work on expanding on some of these topics, and we’re hoping to have a recording of the program available.

If you’re going to be in Austin, and can come by the Hilton Friday at 3:45, I’d love to say hello. If you’re in town but can’t make the program, I’ll be around until Tuesday evening.

The Rise of the Visual  Strategist

Presented by Peter Krogh and Dennis Keeley

As the need to visually communicate explodes, organizations of all shapes and sizes face the need for a new kind of staff, new tools and more nimble mindsets. This goes far beyond an Instagram account manager, or a person who works in IT.  It looks into the heart of an organization’s mission, brand, legacy and value. But in most cases, the approach to visual narrative is ad hoc, at best.

Solving this problem will require an integrated approach that is grounded in education, technology, business needs, and an understanding of visual semiotics. Dennis Keeley has been addressing this from the education side, while Peter Krogh has been working on technical development. They will discuss the new role of the professional visual strategist and the opportunities it presents… as well as what education, skills and experience will be needed.

Back up

We seem to have mostly recovered from the hacking incident. I still have to upload the old images, but the posts should be back in place.

Thanks to John Beardsworth for his invaluable help in tracking down this frustrating problem and helping to solve it.