Category Archives: Appearances

Reminder – Two upcoming presentations on scanning

I’ve got two presentations scheduled for October. The first is a free two hour seminar on scanning with a digital camera at the Click! Photo festival in Durham, NC. It takes place 10am-noon Oct 6. Here’s a link.

And I’ll be in New York at PhotoPlus, doing a tag-team presentation with Katrin Eismann called Preserving Your Photographic History. I’ll show how to scan with a digital camera, and then Katrin will demonstrate reparations and restoration techniques from her revised book on retouching. Here’s a link for that.

Use this custom landing page for a 15% discount and free show pass.

Photo Scanning Webinar

Scanning Photos With Your CameraDigitizing Your photos - a guide to photo scanning with a digital camera

September 13th, I’m presenting at B&H’s Event Space in NYC to share techniques from my new book Digitizing Your Photos with your Camera and Lightroom. You can come see it live if you’re in New York, or see it on the web.

I’ll be presenting material from my book on scanning photos with a digital camera. In the webinar we’ll cover:

  • The camera scanning advantage
  • Hardware setups for scanning prints, slides and negatives
  • How to ensure top quality
  • Using Lightroom for camera scans
  • Tagging your images
  • Publishing and sharing your scans

When: Wednesday, September 13, 2017, 1:00p – 3:00p
Skill Level: Basic, Intermediate, Advanced – Everyone will get something out of it
Location: B&H Event Space
Address: Second Floor of B&H NYC SuperStore at 420 9th Avenue, New York NY 10001

Register Here

FYI
All of their events are FREE!  If you want to guarantee a seat for an event, please register ASAP. Their events can fill up fast.

Can’t get to NY? The event will be streamed. Register to watch online.

Not available on the 13th?  B&H will post the video on their website.

Other questions? See B&H’s FAQ for Event Space details.  

 

ASMP Webinar July 26 – Digitizing Photo Archives

I’m happy to be back in the ASMP fold, doing a webinar next week on digitizing photo collections. Of course this will be based on our new book, Digitizing Your Photos, but with a special emphasis on the relevance to professional photographers.

I’ll be demonstrating how camera scanning can allow for large-scale conversion of film and print originals to digital images, which is important for those of us who have large film archives. I’ve digitized more than 50,000 of my own images, and continue to add new images.

I’ll also be touching on business models that photographers can consider for new services for their clients. There are a lot of companies and institutions that have large collections of physical photos. I’ve been able to help some of my clients with the process, as part of my professional services. I’ll discuss some business models for adding these services.

Report from SXSW #1

Once again it was a great festival: fun, exhausting, and thought-provoking.

Our talk, Adding Meaning and Context to Visual Media was a packed house, turning people away at the door.  As with previous years, one of the main values to me was the time spent refining the presentation, and distilling the ideas to a logical sequence in digestible form. I’ll do a blog post hitting the main points, and I’m hoping to give the talk again with my fellow panelists, Anna Dickson and Ramesh Jain.
Sell-out crowd, with line out the door at our SXSW talk this year.

This year, I spent a lot of time learning about Artificial Intelligence, and came away with a lot more clarity about what AI is, how it is being developed, and how to take advantage of it. I also saw some of the ways AI-based assistants are shaking up the world of computing. I believe that Google home, Amazon Echo, Siri,  and Facebook Messenger are actually racing to become the new dominant operating system. Natural Language Processing and Conversational UI will be the way we interact with computers in the future. The way this shakes out will be really important. I’ll have a post on that as well.

Photography (in all its many forms) continued to be a major component of what I saw at SXSW. This ranged from “traditional” photography, like Cory Richard’s keynote, to photography as advocacy in Aaron Huey’s work, to Casey Niestat’s new network, and on to the VR exhibits.
Ron Haviv and Lauren Walsh spoke about the democratization of archives and the Lost Rolls project.

There was more political activism, analysis and anxiety than in years past. This included a pretty frightening discourse on big data and fascism (from historical and speculative viewpoints). There was also a heavy emphasis on using creativity and technology for public good. Carina Kolodny and Marc Janks spoke about driving change through multimedia storytelling at Huffington Post. Rainn Wilson (Dwight!) spoke about building Soul Pancake, a media company based on empathy.


I was inspired talking to Aaron Huey about his advocacy efforts. 

The National Geographic made a pretty big splash at the festival, with a 5 day installation in Vulcan Gas Company restaurant on 6th St.  They brought in a great set of speaker presentations, and the event was attended by both Declan Moore, the CEO of National Geographic Partners (the media company) and Gary Knell, CEO of the National Geographic Society (the non-profit side of the organization). I believe that this was the first SXSW for both of them, and they seemed to be really energized by the festival. Gary also led a presentation about National Geographic’s Emerging Explorers program.


Gary Knell and Declan Moore address the crowd at NatGeo Further Base Camp. 

PhotoShelter sent down an exploratory contingent, including CEO Andrew Fingerman, founder Grover Sanchagrin, and Content Marketing Manager Deborah Block. I hope to see an even greater presence next year, now that they have been able to see the opportunities it presents.

Andrew Fingerman talks with Amy Bailett of Killer Infographics about the changing nature of visual communication.

Of course, there was also great music, and again this year I got a small taste of it on my way out the door. One year, I’d love to stick around for the last 5 days of the festival and take advantage of that platinum badge. But, honestly, I’m just so exhausted from the Interactive festival that it’s hard to imagine spending even more time fighting crowds.


Some jazz band I stumbled across at 2am, that was just amazing…

I’ll make some further posts that outline some of my findings, starting with one about AI.

As I tell all my photo and tech people, I continue to think that SXSW is one of the most important events that anyone in media can attend.  Media is inherently driven by the technology that enables it. Even more important, I believe it’s really beneficial to understand how technology, content, and business models intersect. I think SXSW is one of the best places on earth to see what’s coming down the road.

Interview with Aaron Huey Saturday 3/11 at 6:00pm

I have the pleasure of interviewing photographer Aaron Huey at the as part of the NatGeo Further base camp at SXSW tomorrow (Saturday March 11, 2017). Aaron is known for his passionate photography, and his ability to leverage his work to raise awareness and funds for causes he believes in. We’ll discuss how he walks the line between non-partisan journalism and advocacy.

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Aaron worked with Shepard Fairey to create the We the People campaign.

Join us on 6th St. at the Vulcan Gas Company from 6:00 to 7:00 pm. Oh, open bar and free food too.

See you there.

SXSW – An important place for visual creators

For the 5th year, I’m headed down to SXSW Interactive. Since my first visit, I’ve been convinced that the future of visual media can be seen here, as it is making its way from idea, through doomed startup, successful startup, into the marketplace, and on to reiteration.

There’s no doubt that visual communication – journalism or entertainment – is highly dependent on the new platforms, business models, and distribution channels that are technology-driven. SXSW is the speed-dating phantasmagoria of media tech. If you want to see where media will be in 2, 5 or 10 years, there’s no better place to see it than at SXSW.

And it’s becoming obvious that tech companies are increasingly dependent on visual imagery for core capability. Photographic communication, writ large, is perfectly suited to the mobile era, with onboard cameras, beautiful screens, and a premium placed on jamming lots of attention-grabbing information into a 2×4 inch space. In recent years, visual storytelling and visual media have been a constant thread through much of the programming.

This year, we see some real love given directly to photography at SXSW. National Geographic photographer Cory Richards is a keynote speaker, and graces the cover of the SXSW magazine. NatGeo will have a Further Base Camp at the Vulcan Gas Company on 6th St.

I’ll be interviewing the amazing Aaron Huey at Further on Saturday at 6pm, discussing how he balances authenticity and passion vs. risk and vulnerability in his life and work.  I’m so impressed with the way he has leveraged great photojournalism into awareness, advocacy, fundraising and cultural impact. Seriously, this guy is a poster child for visual creators owning their media stack and putting it in service for the things they believe in.

(Technically, being on stage at the NatGeo venue means I’m sharing the bill with Ron Howard, Brian Grazer, Ridley Scott, Neil deGrasse Tyson, Jason Silva, Cory Richards, Steven Kolter, David Guttenfelder and Aaron Huey.)

There will be a good PhotoShelter contingent at SXSW as well. CEO Andrew Fingerman will be there, as well as founder and tequila entrepreneur Grover Sanchagrin.

Heading to SXSW – Presenting Friday

I’m headed out to Austin for SXSW again (now, with more Obama.) This year, I’ll be presenting with Dennis Keeley, the Photography chair at Art Center in Pasadena. I first met Dennis at the Palm Springs Photo Festival faculty dinner, and we quickly found out we have a lot of common interests.

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The Faculty dinner at PSPF – I met 2 people I’ve brought to SXSW here.

Dennis is intensely interested in the future of imaging and visual communication. We found that we see these opportunities in some very similar ways. The conversation that started 4 years ago has continued as each of us has pursued this future in different ways. I’m delighted that we can take this time to make this conversation public.

SXSW South by Southwest
Dominique le Roux at 2015 SXSW Photography track 
SXSW South by Southwest
Hans Peter Brondmo at 2015 SXSW Photography Track

Here is a description of our program. I’ll work on expanding on some of these topics, and we’re hoping to have a recording of the program available.

If you’re going to be in Austin, and can come by the Hilton Friday at 3:45, I’d love to say hello. If you’re in town but can’t make the program, I’ll be around until Tuesday evening.

The Rise of the Visual  Strategist

Presented by Peter Krogh and Dennis Keeley

As the need to visually communicate explodes, organizations of all shapes and sizes face the need for a new kind of staff, new tools and more nimble mindsets. This goes far beyond an Instagram account manager, or a person who works in IT.  It looks into the heart of an organization’s mission, brand, legacy and value. But in most cases, the approach to visual narrative is ad hoc, at best.

Solving this problem will require an integrated approach that is grounded in education, technology, business needs, and an understanding of visual semiotics. Dennis Keeley has been addressing this from the education side, while Peter Krogh has been working on technical development. They will discuss the new role of the professional visual strategist and the opportunities it presents… as well as what education, skills and experience will be needed.

Sustainable Photography in a Disintermediated Era

Here’s a little more about our panel presentation on Saturday at SXSW. This is an extension of conversations I’ve been having with my three other panelists for years.

SXSW Program Announcement
It’s a dog-eat-dog world out there

The Panel
Mikkel Aaland is our moderator. I’ve known Mikkel for about 15 years, and we’ve had the pleasure of working on a number of projects together. We’ve both been involved with Adobe and ASMP since the last century.  I was part of the Lightroom Adventure book projects in Iceland and Tasmania that Mikkel created, and Mikkel invited me to the Nordic Light Beyond Pixels Unfestival two years ago.

Krogh_130423_9676

Mikkel is a poster child for embracing change and thriving on disruption. Coming from his roots as a traditional photographer, he was an early digital pioneer. He’s written and photographed many books – some about digital tech, some about ancient technologies, and some that are just about people.

AnnaAnna Dickson is the former Director of Photography for the Huffington Post/AOL, and now deputy Director of Photography at the Wall Street Journal. She also came out of a traditional photo background as a photo editor for major magazines back in the film days.

Anna has also embraced change with gusto. She has done extensive development with the Huffington Post tech team to develop an enterprise DAM system. And she has kept the pulse of nearly every new photo startup claiming to provide the firehose of content needed by online publishers. And she has been able to put them to the acid test – can they actually deliver.

Anna and I have shared the stage twice before: at PhotoPlus in 2013 and at last spring’s Palm Springs Photo Festival. Although we get to take opposing perspectives on stage, we’re good friends with broad agreement about where the future of media is going.

leoraLeora Kornfeld was introduced to me by our mutual friend Eric Drysdale, with whom she shares comedy roots. She has a long background in traditional media, including radio work for the CBC.

When we met over Facebook a few years ago, Leora was working as a Research Affiliate at the Berkman Center for Internet and Society at Harvard. She’s been studying the effects of the fragmentation of traditional media entities. We hit it off immediately, and spent a lot of time comparing the experience of the practitioner (me) with the analysis of the academic (her).

Our Presentation
We’ll be looking at the effects of shifting market forces on the independent photographer. It seems as though everything about the way photographers built their businesses has changed. Media companies are in turmoil. The tools and methods of the trade have changed radically. The availability of crowd-sourced images has eroded some markets completely. And people’s concept of a photograph’s value is all over the map.

How do we carve out a place in this tumultuous ecosystem? Well, there are some ways forward, and we’ll look at them from each of our different perspectives – photographer, client, academic. While the way forward is not clear, and certainly contains risks, we think we can help identify strategies that can work.

Our panel comes at the end of a day-long track that presents pieces of the very same changing landscape. what is the historical context, how are big media companies coping with the issues, how does social media push new norms legally and socially, and how are new hardware and software developments going to affect us?

I’ll post some of the more promising ideas here, as well as some of the new stuff I run across. Like the SXSW of the last two years, I expect it to be a fertile place to see how photography, technology, media and culture move forward.