Category Archives: Motion

SB3 Review

I have just returned from the ASMP’s Strictly Business 3 conference, and several people have asked me to report on the worthiness of the event. I can say with real enthusiasm that it would be quite helpful for professional photographers of any level.  Whether you are just starting out or have an established business, there is a lot to benefit from.

In some ways the event was mis-branded.  It’s not just a continuation of the earlier SB1 and SB2 events, because that’s not what our industry needs. We are facing huge changes, and the conference is really geared to helping photographers understand and survive the seismic changes we are currenly undergoing.  Details after the jump.

Continue reading SB3 Review

Using AVCHD files on a Mac

Recently, I answered a question about how to use AVCHD files from a consumer video camera on a Mac. It can be really frustrating since these files are not native to the Mac.  If you have the Leopard or Snow Leopard operating system and you use iMovie or Final Cut or Adobe Premier Pro, you can read the files natively.

But what about playing them with Quicktime, or cataloging with Expression Media?  In these cases, you need to do some kind of conversion of the files.  There are two basic ways to do it – transcode or rewrap.

When you transcode, you take the bundle of JPEGs that make up the movie and you actually remake them. This is a destructive process that degrades the image as the individual frame images are remade. (That’s an oversimplification, but you get the point).

In general, whenever you transcode, you want to keep the original as well as the converted files. Not only is transcoding destructive, but there is the possibility of some kind of transcoding error, where frames might get dropped, or some other glitch introduced to the sequence.  This means you’ll be really increasing the storage needs, since you’ll need to save (and backup) both the original and the transcoded versions.

When you rewrap, you are basically taking all the JPEGs inside the movie file and putting a new wrapper around them (kind of like what a DNG does with raw file data). Since the individual images for each frame are not remade, there is no loss of visual quality. This also greatly reduces the possibility of any kind of dropped frames, etc.

Clipwrap ($50) can turn those pesky AVCHD files into quicktime-native files quickly and easily. If it reports a successful wrap, you’re pretty safe in tossing the original files. (Of course, to be safest, you’d want to watch the entire clip before tossing the original.)

Thanks to Richard Harrington who first talked me through this issue when I was dealing with my own camera.

Still to Motion – Richard Harrington’s new book

It seems that nearly every photographer is at least dabbling with creating motion imagery, and they often ask the same questions. Richard Harrington has produced (yet again) an essential resource for this group.  Still to Motion is written for the still photographer moving into this new discipline, and explores a unbelievably large number of topics. You’ll get a perspective on storytelling and project approach, camera, lighting, support and computer equipment, and so much more.

The book tracks several different projects, and helps to illuminate the different approaches needed between a music video and a documentary.  The book included a DVD with finished examples of the case studies that the book tracks, and includes a lot of demo and project files for you to pluy with.

If you are a still photographer even considering working with motion, you will find this to be an essential resource. Buy it at Amazon.

As a bonus, the subject of the documentary and music video is Luke Brindley, one of our favorite up-and-coming singer songwriters in the DC area.