Our Movie of the week this week is a long one. I had the pleasure of chatting with my old friend Frederick Van a couple weeks ago. We talked about photography, workflow and my new book on scanning photo collections. The video podcast is embedded below.
This video from Digitizing Your Photos outlines two related types of film copying equipment – rail systems and bellows systems. I’ve been using these systems for more than a decade to digitize large amounts of my own film. They are fast to use and relatively easy to set up for a photographer experienced with lighting.
At the moment, these systems are do-it-yourself, but we’re working on finding someone to produce them commercially. In the meantime, we’re about to start renting ones I personally own. Click here to find out more.
The easiest way to build a copy setup for film (slides, transparencies and negatives) is to lay a lightbox on the copy stand and then put a negative carrier on top of that. This video from Digitizing Your Photos shows you how set one of these up (including how to make sure that the camera and the film are parallel to each other.)
I cover several other setups for copying film in the book, but this one requires no special tools and can be made wth stuff that is commonly available at camera shops.
This post kicks off a series of tips and techniques from Digitizing Your Photos. These posts will focus on a particular technique from the multimedia eBook, and include one of the videos from the book.
It’s common for vintage prints to exhibit Silver Mirroring (or Silvering). The reflections caused by residual silver can obscure the shadow detail in the print. Fortunately, it’s easy to remove the mirroring in the copy photo through the use of simple cross-polarization. This video shows how to cross-polarize and what the effect looks like.
This video appears on page 48 of Digitizing Your Photos with Your Camera and Lightroom.