Live Second Display
Musings on the Semiotics of Connected Photography Dateline SXSW – Most people have heard of “Second Screen”. Typically, that refers to the practice of checking out Twitter or Facebook while
Musings on the Semiotics of Connected Photography Dateline SXSW – Most people have heard of “Second Screen”. Typically, that refers to the practice of checking out Twitter or Facebook while
Dateline SXSW – I’ve written over the last year about how Instagram is creating a commercial service to supply photos for editorial and marketing purposes. The legal foundation was laid in
I love the immersive experience of SXSW. Seeing, hearing, conversing, touching and tasting* a culture is essential to getting a real understanding of it. And this place, at least for
Getty images are now free. Okay, so I’m trolling. They are not “free.” But editorial and academic uses of unwatermarked images on blogs can now be done for free, as
Most people think about photo metadata (if they ever think at all) as information that is attached to the photo. Typically, this includes the camera information, like the time of
I read a post on boingboing recently that got me thinking. In it, Cory Doctorow takes a swipe at business models where the term Content is part of the core
I just read an article in Wired that pushed a lot of my buttons, and illustrates a number of the points in my talk at the PACA conference two weeks
I’m peeling this post off of a discussion I’m having on Facebook with Leora Kornfeld, who writes about Disintermediation as a Harvard Research Associate. I think this message is an
Late breaking news: Facebook has delayed the implementation of the new policy. Send your comments to Facebook today. Link at the bottom of this post. Facebook has just claimed the
DAM Useful Publishing and ASMP have just released The Instagram Papers, a collection of essays about the current Instagram Terms of Use, and the rights that they give the company.