I’m flying out tomorrow for the Society for Photographic Education annual conference in Atlanta. I’ll be speaking on behalf of ASMP, telling educators what they can find in the dpBestflow website. I’m very interested in hearing how we can make the site better for educators, and understanding how the web is being integrated into curricula.
Adobe has asked me to make a presentation on Lightroom at Strictly Business 3 tomorrow in Philadelphia. This is free and open to anyone registered for the weekend program. I’ll be showing some of the cool new stuff in Lightroom 3, including some of the most valuable features I use on my work. I’ll also show some of the new Photoshop features.
The presentation is from 8pm until 9 pm Friday the 25th.
If you are on the fence about coming to SB3, I’d like to encourage you to take the plunge.
I have just returned from the ASMP’s Strictly Business 3 conference, and several people have asked me to report on the worthiness of the event. I can say with real enthusiasm that it would be quite helpful for professional photographers of any level. Whether you are just starting out or have an established business, there is a lot to benefit from.
In some ways the event was mis-branded. It’s not just a continuation of the earlier SB1 and SB2 events, because that’s not what our industry needs. We are facing huge changes, and the conference is really geared to helping photographers understand and survive the seismic changes we are currenly undergoing. Details after the jump.
I’ll be presenting a day-long workshop on digital asset management for photographers at Fotocare in New York on Thursday the 30th of September. We’ll look at storage hardware, metadata, backup practices, catalog software and workflow options. I did this program last March, and the response was extremely positive.
The program is limited to 12 people and there are a few spots left. Sign up here
Here at the annual CEPIC congress in Dublin, I’ve been included on a panel that is addressing the technology, challenges and opportunities of mass digitization. The panel is, from left to right, Nathalie Doury, general manager of Parisienne de Photographie, Angela Murphy, Digital Asset Management consultant (and so much mpore) from The Image Business, discussion leader Professor Dr. Thomas Dreier, Sylvie Fodor, General manager of CEPIC, and Susan O’Malley from Google.
The discussion included background and progress on two particular mass digitization projects, Europeana and the Google Books project. Of course, projects like these are controversial in the context of a place like CEPIC, where those who trade in intellectual property gather. ASMP has filed suit against Google for the Books Registry project, in an effort to create a fair share of revenue for visual creators whose work is included in the scanned books. While this is likely to take some time to resolve, we have hope that, like the authors and publishers who have nearly come to settlement with Google, we can create an equitable arrangement.
In addition to the discussion of the issues surrounding the Google lawsuit, I presented the case for individual photographers and other rights-holders to crete their own mass digitization projects. We need to learn some lessons from the record companies about making our intellectual property available in digital form. Instead of hoping that the technology will go away, we need to embrace it, and work to create sustainable business models that exploit it.
One of the features of a sustainable business model if the reduction of production costs. To that end, the work I’ve been doing for the last couple of years with the Camera Scanning process can help photographers unlock the creative and economic power of digitized film images. Working with Richard Anderson, Matthew Yake and Darren Higgins, we’re created some great new tutorials on the dpBestflow website that explain the process and how to set it up, as well as a sample workflow. (More on that in another post)
At the CEPIC presentation, I displayed 36 inch prints made from Camera Scans, and the unanimous conclusion was that the quality was excellent, even within the context of what a museum would be looking for. Thanks to the dpBestflow team for getting the material finished and posted in time for the presentation.
presented some sample prints that demonstrate the quality of camera
I’ve been in Dublin for several days at the CEPIC congress. I presented a paper at the 20o7 conference in Folrence, as part of a call for new functionality in the IPTC schema. (That information was included in th revised IPTC Extended specification, published July 2008).
This annual gathering of worldwide stock agencies is a great place to take the pulse of the industry. No surprise, topics include Microstock, Convergence, and the Google Books project (that’s what I have come here to speak about.)
ASMP has a great presence here, including Richard Kelly (shown below putting some body-english on his iPhone shooting) and the man who is everywhere, Gene Mopsik. Thaks to ASMP and the dpBestflow project for sending me here. Check back for further reports on developments here at CEPIC.
Richard Anderson and I will be doing a camera scanning workshop in New Orleans on the 28th of April (doors at 6:00 pm, program at 6:30). We will present techniques for creating reproduction-quality scans from film and negatives using a digital camera and inexpensive copy hardware. The program is free, but space is limited, so sign up early if you are interested.
Full announcement after the jump
Fresh from the great Palm Springs Photo Festival, I’m about to board a plane for San Francisco (whith the whole family in tow, no less!). I’ll be presenting the dpBestflow material on Tuesday the 6th. As usual for the ASMP-sponsored events, this is free, but you need to sign up in advance. I’m told that we are nearing capacity, so sign up soon.
(Thanks again to Jeff Dunas and the PSPF for a great event. And thanks to the Microsoft Icons of Imaging program for making it possible for me to be there.)
We’re packing up the truck and movin’ on from Beverly – Hills that is (well, Hollywood, actually) over to Palm Springs for the Palm Springs Photo Festival. The fine people at Microsoft have made my Digital Asset Management seminar possible. I’ll be talking at 2:45-4:30 on Thursday.
The PSPF is one of my favorite industry events. While I’ll be speaking about technology, the festival is really all about photography, and that’s a refereshing break from the non-stop technoweenie fests I normally habituate. If you’re driving distance from Palm springs and can take a break, I highly recommend it.
If you’re going to be there, feel free to find me and say hello – I’ll be at a lot of events.
And thanks again to the Microsoft Icons of Imaging for making this possible.