(For those following along at home, Gus found a Nikon PS4 and sent it to me for modification. I'll be mounting it to an MPR 113 rail. Gus will then get the rest of the system directly from Really Right Stuff)
Gus,
Since you only want to do 35mm copying, you can get away with the 10 inch rail, if you use a 50mm lens. I'd suggest using a 50 for a couple reasons. You can use the shorter rail, which is less expensive. Also, the shade bellows will work with a 50, but is too short for a 100mm lens. Thirdly, the 50mm arrangement is more comfortable to use, since the camera and stage are closer together.
Richard Anderson has been using the Canon Compact 50mm Macro lens, available for $250 from B&H
http://www.bhphotovideo.com/c/product/12145-USA/Canon_2537A003_50mm_f_2_5_Compact_Macro.htmlBoth rail systems are outlines at the end of this post. Contact Erik or Joe at Really Right Stuff to make sure you're getting the right package.
As to light source, if you are shooting B&W, then you can use any color light (Tungsten, Fluorescent, etc). The critical issue is that it's even.
If you are doing color slides, then you'll e better off with something daylight balanced. You could use a daylight-balance lightbox, or a studio strobe (which you don't have) or maybe Solux lights:
http://www.solux.net/cgi-bin/tlistore/infopages/color-proofing.htmlYou can use the flash, but you'll need some other kind of light for focusing, and the flash needs to really overpower the other light.
Krogh CB18 Package (without MPR 113)
CB 18 $125
Mini Clamp Package $110
CB-EC Camera Bar End Connector $30
B2 mAS $60
Screw for mounting B2mAS to CB-EC (included)
Krogh CB10 Package
CB10 $100
Mini Clamp Package $110
B2 mAS $60
Screw for mounting B2 mAS Included
Erik Johnson
erik@reallyrightstuff.comReally Right Stuff, LLC
www.reallyrightstuff.com1-888-777-5557 toll free in the US and Canada
1-805-528-6321
Fax: 1-805-528-7964
Peter