This page contains links to monitors suitable for critical imaging work as described in the book Digitizing Your Photos. The books describes a method to rapidly scan photographic prints and negatives using a digital camera.
In the Book
In the book, I only show the use of a laptop monitor for workflow, although in my own real workflow I typically use a second monitor as well. In my studio, I’m currently using Apple monitors, but I’m inclined to get one of the NEC units shown below. The most important thing you’ll want to do is to calibrate the monitor so you’re seeing the most accurate color it can display.
At minimum, anyone interested in accurate color should use a calibration tool, as shown in the book.
The least expensive one seems to be the Datacolor Spyder Express. $106
What to look for in a monitor
If critical color is important to you, there are several things you’ll want to look for in a monitor.
- Look for a monitor that lists a “wide color gamut” which indicates that it can display lots of colors. Typically, this is stated as a percentage of Adobe RGB color space.
- Look for IPS panels, which offer better viewing angles than older non-IPS monitors.
- And for best results, you will want a monitor that can be calibrated, typically with an integrated colorimeter.
Monitors without integrated calibration
The NEC IPS series of monitors offer 99% coverage of Adobe RGB. Here is a saved search for these monitors on B&H.
Monitors with integrated calibration
The NEC Spectraview series offer excellent color at a reasonable price. (the calibration tool adds about $300 to the price of an equivalent monitor.)
The Eizo ColorEdge Series have a top-notch reputation as some of the very best monitors you can buy for critical color photo work.
Just so you know:
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