I’ll be in Miami next Thursday night giving the dpBestflow evening presentation, courtesy of ASMP. The program is free, but you are asked to make a reservation in advance so we get a head count.
See you there.
I have the privilege of speaking to Navy photographers tomorrow at the DC Shootoff. There’s a great lineup of photographers and industry representatives appearing at this event tomorrow. My grandfather Harry Gordon Donald (pictured at right) was a captain in the Navy, where he oversaw the creation of the Mothball Fleet (archiving ships, hmmm), so I have a soft spot for this particular branch of the armed services.
Check out the galleries on the website to see what these excellent photographers produce during the weekend.
While the presentation won’t be an official dpBestflow event, that’s what I’ll be showing, since it’s what’s on my mind.
Richard Anderson and I will present the dpBestflow material at CDIA on Tuesday. This two hour presentation describes the dpBestflow project and well as the fundamentals of workflow design. Learn how to understand and customize workflow, and make use of some critical workflow components.
See you there.
Yes, that’s right, the French version of The DAM Book is coming soon. I have not seen one yet, but I’ve been in touch periodically with Gilles Theophile, who did the translation along with Volker Gilbert. This makes French and Spanish for this version of the book, and German for the previous version. Can Esperanto be far behind?
There are 2 slots left for my program on digital asset management at FotoCare in New York Wednesday. Here’s what I’m doing:
Tuesday afternoon, I’ll be doing a 2 hour presentation – this is entirely full (but room would be available for anyone signing up for the Wednesday program). On Wednesday, I’ll be doing an all-day program, as described below. The day-long program costs $200, and includes attendance at both. Call 212-741-2990 to reserve your spot.
Details after the jump Continue reading Day-long DAM program at FotoCare in New York Wednesday
On Monday and Tuesday, Richard and I took the dpBestflow project to Adobe to meet with people on the Photoshop and Lightroom teams. We wanted to make sure they were aware of what we doing, and discuss how we might want to expand the project in the future.
While we were there, we had the privilege of becoming part of Kelly Castro’s “Exteriors” series. Using a super-secret (but deceptively simple and cheap) lighting rig, Kelly makes these stark and stylized portraits. Nearly all the post processing is done in Lightroom, where Kelly works as an engineer on the Develop module.
Richard Anderson and I spent last friday speaking to the good people of Brooks Institute School of Photography. In the morning we spoke to a large group of students and faculty, presenting the dpbestflow material, and in the afternoon we had a great round table with the faculty. The principle discussion centered around the integration of digital assert management material into the curriculum.
There are some very sharp people in that group, and they are working hard to provide a good educational experience for their students. I think we helped them get some more insight on how to integrate this important information into their program. Thanks to David Litschel for setting up the day’s events. We look forward to coming back and discussing it further (even hen there is not 2 feet of snow on the ground in DC.)
The Createasphere DAM conference last week was a great event. Even though it was in its first year, the pool of speakers (and attendees) was a high-level group indeed. I was particularly pleased to finally get to meet Roger Howard in person. It seems there’s nothing Roger doesn’t know or hasn’t done in computers, software, photography and asset management.
Other highlights included Jason Bright’s presentation on the capabilities of MediaBeacon, Gunar Penekis and OpenSamsn, Paul Nicholson from Showtime, Chris Orr from UC Berkeley, Sam Bogoch from Avid, Canon on DSLR, and a meeting with my old friend Owen O’Toole.
I’m headed to Los Angeles to make a couple of presentations for dBestlfow. The first one will take place at the Createasphere DAM Conference, in Universal City. This 70 minute presentation will showcase the dpBestflow website as a great resource for collection managers and the photographers who supply them with images.
You can find out more about the program here. I’ll be speaking Wednesday.
Once I’m done with that, I’ll be speaking at Brooks Institute with Richard Anderson. We’re doing a moring program on digital asset management, and then we’ll have a more free-form afternoon discussion with faculty and students about the DAM needs of a photo education program.
If you are at either event, please be sure to find me and say hello.
Adobe Labs has updated DNG conversion options in Lightroom, ACR, and the DNG Converter that offer some (possibly confusing) new options. You now have a preference pulldown for compatibility settings. What’s up with that? The short answer is that new functionality has been added to the DNG specification (and to the latest version of Camera Raw) that can do new tricks to the pictures.
For instance, there is now a way for Adobe (and others) to remove lens distortion from the image. Since this is a new function, it’s necessary to make a new version of the spec that details how to save and apply the instructions. One thing this enables is for cameras that don’t work well with the current DNG spec to now be supported. Check out Tom Hogarty’s blog to see the new camera support.
Some new DNGs that make use of these new tools won’t be fully compatible with all DNG applications. You can save them so that they will work with the older software, but they will lose some of their rawness. How the heck does one decide which to use?
Answer after the jump. Continue reading DNG Compatibility Settings