Wrangling Technology

ASMP has just published a new book that helps photographers understand photo markets in the digital age, The ASMP Guide to New Markets in Photography. The chapters were written by several of ASMP’s most experienced presenters, including Tom Kennedy, Blake Discher, Judy Herrmann, Richard Dale Kelly and Barry Schwartz. My chapter discussed the relationship of technology to your art and business.  

Advancements in technology are among the most important change agents in both the art and business of photography. Most of us greet the new developments with a mix of amazement, uncertainty and varying degrees of enthusiasm. But we don’t often step back and take a look at the structure of technological change, which can help us formulate a strategy for dealing successfully with it.

Photography has always been highly dependent on technology, and the development of digital photography has only enhanced that relationship. Likewise, our businesses are ever-more influenced by the changing technological landscape in which we operate. In order to create a successful business producing photography, you need to be able to understand and work with technology.

In my chapter of The ASMP Guide to New Markets in Photography,  I outline the forces at work in technological development, and provide some tools to understand your place along the techno-savvy spectrum. And finally, I provide a list of steps you can take – in both the short and long terms – to use technology for your advantage, no matter where you fall on the spectrum.

An effective strategy for wrangling new technology has several components.  You need to be able to make some sense of how technology is developing around you. And you need to make a clear-eyed assessment of your own strengths and weaknesses in accepting and making use of new technologies.  And you need to create a strategy for the future that takes this assessment into account.

Technology development is not a magical black box that pops out wonderful (and sometimes threatening) new products. With a little unpacking, it’s possible to see some broad outlines of how it develops, and where the areas of heaviest action are. You can break development down on a technical level, and more importantly on a business level. In many ways the business forces are much more powerful than the technical. Let’s look at one example.

Right now we are watching a race for platform dominance in several important areas. The platforms include the ones we’ve come to expect: computer operating systems and applications. But there are much bigger races, in much less mature markets. These include mobile and device platforms, publishing platforms, cloud platforms, retail platforms, and social media platforms. The details and results of these races have profound effects on the way your photo business operates. And the choices you make now can have a big impact in the future.

To make sense of your place in the changing world of technology, you need to do some self-alaysis. Are you an early adopter of technology, or do you always come late to the party? There are advantages and disadvantages of each. And your long-term planning should be done in light of an honest assessment of your own strengths and interests. The early adopter needs to be wary of spending too much time chasing technologies that don’t pan out.  And the late adopter needs to be careful not to let the market pass by.

Armed with a better understanding of what is happening around us and inside us, it’s possible to make a plan for wrangling the messy business of disruptive technological change.

NDSA Individual Innovation Award

I just received the Individual Innovation Award from the Library of Congress’s NDSA. The National Digital Stewardship Alliance is dedicated to the preservation of our nation’s digital cultural heritage.  The group is an outgrowth of the NDIPP, which was another research program from the Library of Congress.

NDIIPP funded the dpBestflow project, among many other high-profile research and preservation projects.

I’m receiving the award for the work I’ve been doing in the industry, including The DAM Book, dpBestflow, Shutha.org, as well as other research, outreach and education efforts over the last decade. It’s a high honor for me to get this award, and I’m humbled to be recognized by this group.

I’d like to take the opportunity to send out some thanks.

dpBestflow: To Richard Anderson for his years of collaboration, to ASMP for financial support and providing a platform: to Dominique le Roux for editing, Richard Harrington for video content: Context for Drupal development, and NDIIPP/LOC for the original funding and support.

The DAM Book: to Colleen Wheeler for her great work as editor, to O’Reilly for publishing the book, and to Steve Weiss for taking a chance on me i the first place.

Shuta.org: World Press Photo for funding, Africa Media Online for distribution, DJ Clark, Dave Larsen, Dominique le Roux and Graeme Cookson for collaboration

In general: To my fellow photographers (particularly Yack ones): to Russell Brown, John Nack and Tom Hogarty (and others) at Adobe for letting me see behind the curtain: Shane Bowman, Yan Calotychos and the iView team,  to Josh Weisberg, Jeff Greene, Tim Grey and the others at Microsoft, Claus Mølgaard and Yan Christainsen at Phase One and so many more along the way.

And of course, thanks to my wonderful wife Alyson, and my entire family for love and support.

Travel Tip: Medusa Extension Cord

I got this tip from the great Bruce Dale when we went on Mikkel Aaland’s Lightroom Adventure book project in Tasmania. Bruce worked for more than 30 years as a National Geographic staff photographer.  He is known for pulling off really difficult technical feats as well great road and travel stories.

If you are headed to a place with a different electrical plug shape than your home country you can make a cord like this to add convenience and save a considerable amount of weight and bulk. Basically, it’s a couple of standard power cords cut and soldiered to a standard extension cord. This configuration can power up to 6 devices, which can be essential for battery charging.

It’s particularly valuable in a country where the plug adapters are as bulky as the ones in South Africa.

Here is the multi cord at work in Richmond,  South Africa. It is charging my US phone, my International phone, Lumix, D7000 and D700 camera battery chargers and AA battery chargers, as well as my laptop. (You can also see DJ Clark’s phone in the photo, but I have obviously not mastered the art of light travel the way he has).

These chargers are all low-power-draw devices, so there’s no issue about overloading a circuit by having all these plugged in at the same time.

One note of caution – make sure that the chargers and other devices you use overseas are all rated for the voltage and Hz of the local power.  It will be written somewhere on the charger – often in very tiny type. Most modern power supplies are auto-switching dual-voltage, and handle this without any intervention on your part.  If they don’t, however, you will be pretty unhappy.

A second caution: I have worn out the solder joints on this cord once already as it has made its way around the world. In particular, a lot of stress is placed on the wires just past the end of the solder as I curl it up. It pays to inspect the cord under the electrical tape every now and then so it does not fail in the field.

Travel Tips: Unlock that old iPhone for overseas use

Whenever I’m overseas for an extended period, I like to have a local phone. Whenever I get to a country I’ll need a local number in, I buy a SIM card at a local shop and put it in my travel phone. This way locals can call me, and I can make local calls for a reasonable price.

I’ll also keep my regular phone with me so I can be reached by phone and text from the US. But it’s expensive to use my iPhone overseas, even with an international plan activated for the duration of the trip. And international data usage can be the source of nightmare phone bills.

For the last 6 years, I’ve been using a pretty, um, basic device. It can text and make phone calls, but that’s it. No web surfing or email on this old school celly.

On my upcoming trip to China, however, I’ll be sporting my old iPhone 3Gs as my overseas phone. As of Sunday April 8, AT&T has graciously offered to unlock that expensive device I already paid them for. Yes, you read that right, AT&T is now allowing me to do what I want with a phone I already own (provided, of course, that I have fulfilled the contract it was purchased on, and signed-up again for a subsequent contract.)

In order to unlock the old phone, you need to call AT&T and request an unlock code. It can take up to a week to work its way through the system, supposedly. It took about 5 days for mine to unlock. Asking for tier 2 service may make it happen faster.

Having a local smart phone should be a real benefit when traveling. And since this one is already set up with my email account, web bookmarks and other apps, it should be pretty easy to put into service. Just put that SIM card in and go. I’m expecting that this will be particularly valuable in a country where I can’t speak or read the language at all.

Palm Springs Photo Festival

I’m headed out tomorrow for the Palm Springs Photo Festival, one of my very favorite industry events of the year. Jeff Dunas does a spectacular job bringing an extremely high-quality group of international photographers together in a very intimate setting. I speak on Thursday from 2:30 to 4:30. Free for Festival attendees (sponsored by ASMP).

If you are also on the way there – lucky you. If you have not made plans, but you are driving distance, it’s really worth the trip. And if this year is out of the question, make plans for next year.

The ASMP Board is holding its annual spring meeting at the Festival, which makes a lot of sense given that there is such a large west coast contingent. I hope it turns into an annual event. It’s reasonably priced, compared to meeting in Philly, and offers a great opportunity to connect with other people in the industry in a relaxed yet stimulating environment. I’d like to see this become an annual opportunity for ASMP members to get to know their board better, and get a more clear understanding of how the national leadership operates.

As always, I’m more than happy to say hello to anyone who happens to be there (and even happy to answer your Lightroom/hard drive/metadata questions.)

You’re going to need a bigger boat…

I got my D800 today, and I feel a bit like Roy Scheider in Jaws after he saw the size of the shark.  The files that come out of this camera are huge and remarkably good.  The 36 megapixels are also pushing the envelope of all of the rest of my equipment.

Lenses
The camera is so sharp that it is showing focus falloff where my D700 did not. Even great modern lenses like the 14-24 are showing signs of image imperfections that I have never seen before.  I suppose I’ll need to test all of my lenses and see which ones are up to using on this camera.  I also expect that I’ll need to test them at all apertures.

There’s a potential limits of diffraction problem with this kind of pixel density.


Lonaconing Silk Mill, Lonaconing, MD 60mm Micro Nikkor @ f/8
Click here for the Zoomify version 

Cards
I’m getting 175 images on an 8 GB CF card. That’s going to go quickly. I have a bunch of much larger SD cards (32 GB), but they are slower.  Again, it looks like I’ll be doing some testing here.  I want first to see if any of the cards will produce a slowdown in shooting speed as they struggle to keep up with the data writing. After that, I’ll want to see what download times are for the various cards.  This will certainly be important in the field.

Hard Drives
I’ll be filling these up much faster with 40-50 MB raw files (14 bit, lossless compressed). This will certainly mean new portable drives for my upcoming trip to China, as well as for any extended location shoot.  And the archive drives will also be filling up faster, so there’s another purchase there as well.

Computer
These files are big, and process slowly. I have a feeling I’m going to need as much speed as I can get. New iMac?  New Macbook Pro?  Not sure.

Web publishing technology
There’s also a need to be able to view these images over the web. Photoshop has come with something called Zoomify – linked here – that can help with this.  But there’s some new technology called Piqsure that does this with HTML5 in some pretty cool ways.  More on that soon.

The DAM Book back in stock

The DAM Book was unavailable recently as the current press run sold out.  O’Reilly has reprinted the book, and it is back in stock. Note that this is the Second Edition of the book, the one written in 2009. It has been reprinted without changes. Due to the number of books printed, the production of a third edition is not even on the radar. They have more than a year’s worth of books.

While the shelf-life is pretty unusual for a technical book, it turns out that not a lot has really changed since it was first written.  Some of the Lightroom dialogs have changed, Bridge and Photoshop have gotten a facelift, Expression Media has become Phase One Media Pro, and the DNG has gotten even more capable.  But the basic principles, workflow, and structural underpinnings are all pretty much the same.

You can buy from us, and getting a signed copy, or you can save a few bucks and go to Amazon.

SPE Lecture tomorrow

I’ll be at the annual Society for Photographic Education conference for the next few days. Tomorrow afternoon, I’ll be doing a new lecure – Media Management and the Creative Process. This is a fun one for me because it’s less about technical details than the it is about understanding the digital photo ecosystem and how it relates to your own creative process.

Unfortunately, the entire conference is sold out, but if you happen to be here, please feel free to find me an say hello.

TWiT Photo Tomorrow

I have the pleasure of apearing on TWiP TWiT Photo tomorrow – This Week in Photo. This is part of Leo Laporte’s TWiT media empire. I’ll be speaking with my friends Leo and Catherine Hall, who host the program. It’s a fast moving and informative hour, covering lots of ground. You can watch it live or download it from iTunes.

Okay, so this is embarrassing. TWiP is This Week in Photography, run by my friend Frederick Johnson.  TWiT Photo comes out of the same building, but is an entirely different show. For those of you wondering “what the heck”, well, that’s what the heck. 

This is the real one I was on.

 

Have not been on this one yet.

Can’t imagine how I confused those two.

;-)